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Item List

WW5.01

Defining Poetry.
What is it?

BELL WORK

Journal: How would you define poetry?

WE WILL

Work to create a class definition of poetry.

Watch a Ted Ed video (5:19) discussing the attempt to define poetry.

YOU WILL

Read from a collection of Ars Poetica, or poems about poetry and try to write your own!

IF YOU FINISH EARLY

In your journal, reflect on who your favorite writers are and whether or not what they write is poetry.


WW5.02

Intro to the Line
What makes a line special?

BELL WORK

Journal: 5-minute free write.

WE WILL

Describe the use of the line in poetry.

Introduce the idea of meter and stressed versus unstressed.

Describe the emergence of the paragraph poem.

YOU WILL

Write a free verse poem focused on line breaks.

IF YOU FINISH EARLY

Check out this list of famous lines in poetry. How does the line help concentrate meaning in different parts of a poem?


WW5.03

Rhyme Schemes
Do we rhyme all the time if it isn't sublime?

BELL WORK

Journal: How do you feel about poetry as a reader? Do you enjoy poems that rhyme?

WE WILL

Define the difference between different types of rhyme. Put in POETRY.

Simple Rhyme Pattern: Silent, Silent Night by William Blake

ABAB Patterns: Gathering Leaves by Robert Frost

Feminine vs Masculine Rhyme: Days of Wrath by Ambrose Bierce

Slant Rhyme: Strange Meeting by Wilfred Owen

Rhyming Couplets: Interview by Dorothy Parker

Look at a mentor texts of various rhyme schemes.

Define the rhyming couplet.

YOU WILL

Write a rhyming couplet using at least 3 different types of rhyme.

IF YOU FINISH EARLY

WW5.04

The Haiku
How does form create beauty?


BELL WORK

Journal: Go outside for inspiration (weather permitting) OR watch a scene of birds.

WE WILL

Discuss the structure and rules around the haiku.

Read mentor examples of haiku.

YOU WILL

Write 3 haiku.

IF YOU FINISH EARLY

Learn more about Matsuo Basho, master of the haiku, through this video (5:46).


WW5.05

Poetry as Image
What shape should poetry take?

BELL WORK

Journal: When I think of poetry, I think of . . .

WE WILL

Define "concrete poetry."

Discuss the use of the line as an aesthetic use of space.

Read a variety of concrete poems. Put in POETRY.

Analyze how concrete poems contribute to their overall meaning.

YOU WILL

Write your own drafts of concrete poetry.

IF YOU FINISH EARLY

WW5.06

Meter
What is Iambic Pentameter

BELL WORK

Journal: What do you already know about poetic meter?

WE WILL

Recognize syllables.

Determine what makes a syllable stressed or unstressed in English.

Define poetic feet.

Write a line of iambic pentameter as a class.

YOU WILL

Write three different lines of poetry with three distinct meters.

WW5.07 a-b

The Sonnet
How do I write thee? Let me count the ways.

BELL WORK

Journal: Why do you think poetry likes to create so many rules?

WE WILL

(A) Describe the two different historical types of sonnet: Petrarchan and Shakespearean

(A) Define the elements required of a sonnet.

(A) Workshop difficult lines to try and fit into sonnet form.

YOU WILL

(A-B) Draft a sonnet.

IF YOU FINISH EARLY

Read these sonnets from legendary poet Elizabeth Barrett Browning.


WW5.08

The Villanelle
No, it's not a term for a lady villain.

BELL WORK

Journal: What was the hardest part of writing a sonnet?

WE WILL

Show a draft of a sonnet as a notebook check.

Define the elements traditionally required of a villanelle.

Read "Do Not Go Gentle into That Good Night" by Dylan Thomas and discuss its relationship to the form.

YOU WILL

Draft a villanelle of your own!

IF YOU FINISH EARLY

Read and reflect on "One Art" by Elizabeth Bishop. What do you like about it? What do you think could be improved?


WW5.09

The Pantoum and the Sestina
Does repetition help? Does repetition help?

BELL WORK

Journal: As a writer, when do you use repetition? What is the point of almost-but-not-quite-perfect repetition?

WE WILL

Discuss the form for the sestina.

Read A Miracle for Breakfast by Elizabeth Bishop

Define the form for the pantoum

Read Another Lullaby for Insomniacs by A. E. Stallings

YOU WILL

Draft either a pantoum or a sestina.

IF YOU FINISH EARLY

Draft a poem in the second form you did not draft the first one in.


WW5.10 a-b

Blank Verse
What's so blank about it?

BELL WORK

Journal: What has been your favorite poetic form so far?

WE WILL

Discuss the structure of blank verse.

Read an example of Robert Browning's dramatic monologue: My Last Duchess

Describe its use in dramatic monologue and English epic.

YOU WILL

Draft a blank verse poem.

IF YOU FINISH EARLY

Watch this documentary (11 min) exploring the biography of Robert Browning.


WW5.11 a-b

The Pastoral, the Ode, and the Lyric, the Ballad, and the Ars Poetica
Does content matter more than form?

BELL WORK

Journal: If you had to rewrite your definition of poetry, how would you define it?

WE WILL

(A) Discuss the themes found in

Pastoral

Ode

Lyric

Ballad

Ars Poetica

YOU WILL

(B) Write 2 poems from two of the genres listed above.

IF YOU FINISH EARLY

Watch this video of a professor describing the history of Ars Poetica.


WW5.12

Performance Poetry
Where does poetry end and performance begin?

BELL WORK

Journal: Is rap poetry? Why or why not?

YOU WILL

Draft a performance poem.

IF YOU FINISH EARLY

Listen to another excellent performance poem, Taylor Mali's "Bodhisattva"


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